Yay! it is that time of year once again. Fantasia International Film Festival is back and we now have the first wave of films to share with you all
Here’s The Official Press Release – ENJOY!
FANTASIA’S UPCOMING VIRTUAL EDITION ANNOUNCES FIRST WILD WAVE OF PROGRAMMING, WITH NEIL MARSHALL’S THE RECKONING TO OPEN FESTIVAL
Nobuhiko Obayashi’s LABYRINTH OF CINEMA, Brea Grant’s 12 HOUR SHIFT, Makoto Tezuka’s TEZUKA’S BARBARA, Anthony Scott Burns’ COME TRUE, and Chino Moya’s UNDERGODS are among the first titles announced for the festival’s 24th edition
Tuesday June 9, 2020 // Montreal, Quebec — The Fantasia International Film Festival will be celebrating its 24th edition as a virtual event accessible to movie lovers across Canada, with a wild assortment of scheduled screenings, panels, and workshops taking place online from August 20 through September 2, 2020. The decision to launch a digital edition of the famed genre festival was born from Fantasia’s desire to keep the health and safety of its attendees a top priority during the current global health crisis, while still offering daring, much-needed new genre entertainment to residents of Canada and supporting the breakout filmmakers of the year.
The festival’s full lineup will be announced in early August. In the meantime, Fantasia is excited to reveal a selected first wave of titles.
AN EVE OF RECKONING FALLS UPON FANTASIA’S OPENING NIGHT
Fantasia’s 24th edition will open with a special screening of Neil Marshall’s recently completed cinematic powerhouse THE RECKONING. A poignant and horrific period thriller set in 1665 against the backdrop of the Great Plague and the subsequent witch hunts in England, THE RECKONING stars Charlotte Kirk (OCEAN’S 8, NO PANIC WITH A HINT OF HYSTERIA), Sean Pertwee (DOG SOLDIERS, DOOMSDAY), Joe Anderson (THE GREY, THE CRAZIES), Steven Waddington (THE IMITATION GAME, LAST OF THE MOHICANS), and Emma Campbell-Jones (DOCTOR WHO). A vivid, compelling and confrontational film whose themes are frighteningly pertinent to today’s concerns, it will knock the wind out of you. This will mark the second time that works from the esteemed British filmmaker has opened Fantasia, THE DESCENT having been the festival’s official Opening Film in 2005. The sole other filmmaker Fantasia has done this with to date is Takashi Miike.
An otherworldly journey through a Europe in decline, Chino Moya’s UNDERGODS is a collection of aesthetically astonishing, darkly humorous fantasy tales about a series of men whose worlds fall apart through a visit from an unexpected stranger. This singular visual feast is a co-production between the UK, Belgium, Estonia, Serbia, and Sweden with a cast that includes Geza Rohrig (SON OF SAUL), Johann Meyers (SNATCH), Hayley Carmichael (LES MISERABLES), Eric Godon (IN BRUGES), Kate Dickie (THE WITCH), Adrian Rawlins (CHERNOBYL), Ned Dennehy (MANDY), and an especially crazed Jan Bijvoet (BORGMAN). World Premiere
One night, a famous novelist encounters a young, seemingly homeless woman in an overpass tunnel. He brings her home, which sets him on a path of increasingly bizarre encounters. TEZUKA’S BARBARA is the abrasively jazzy adaptation of Osamu Tezuka’s adult manga of the same name. Directed by Makoto Tezuka (LEGEND OF THE STARDUST BROTHERS) and lensed by Christopher Doyle (IN THE MOOD FOR LOVE, HERO), this film – released as part of Tezuka’s 90th anniversary celebration – mixes pinku-style erotica with an examination of the creative impulse and a dash of the occult, thus unveiling the lesser-known dark side of the ASTRO BOY creator and anime maestro. North American Premiere
A mother and daughter are suspected of witchcraft by their devout rural community in Canadian filmmaker Thomas Robert Lee’s freakishly nightmarish THE CURSE OF AUDREY EARNSHAW. One of the most unsettling and surprising occult horror films since HEREDITARY, this haunting tale is steeped in folklore and brimming with imagery that will besiege your subconscious. It stars Catherine Walker (A DARK SONG), Jared Abrahamson (HELLO DESTROYER), Hannah Emily Anderson (WHAT KEEPS YOU ALIVE), Don McKellar (LAST NIGHT), and Sean McGinley (BRAVEHEART), and is co-produced by MY BLOODY VALENTINE director George Mihalka. World Premiere
In New Delhi filmmaker Sidharth Srinivasan’s first horror work – and first narrative feature in a decade, following SOUL OF SAND – a DJ encounters a beautiful woman at a club, goes back to her home, and finds himself thrust into a nightmare odyssey of ritual magic, patriarchal death customs, and family conflict most unusual. Transgressive, darkly humorous, and mystically atmospheric, KRIYA is a fever dream of fear starring Navjot Randhawa (MEHSAMPUR), Noble Luke, and Avantika Akerkar (THE SECOND BEST EXOTIC MARIGOLD HOTEL), is co-produced by Andy Starke (IN FABRIC) and Pete Tombs (FREE FIRE), and features an unforgettable score by Jim Williams (POSSESSOR). World Premiere
Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household in Argentinean writer/director Mauro Iván Ojeda’s chilling first feature. THE UNDERTAKER’S HOME (La Funeraria) stars Luís Machín (MONTECRISTO), Celeste Gerez (DESTINO ANUNCIADO), and Camila Vaccarini (PAISAJE). World Premiere
The sophomore feature by Canadian Writer/Director/Cinematographer/Composer Anthony Scott Burns (OUR HOUSE), COME TRUE is a distinctive and compelling work of dark science-fiction that haunts the space between wakefulness and sleep. Plagued by disturbing dreams and unable to go home, rebellious teenager Sarah (THE KILLING’s Julia Sarah Stone) is relieved to find shelter at a university sleep study. Hoping this will finally help her to get rid of her nightmares, she unwittingly becomes the channel to a horrifying new discovery. Co-starring Landon Liboiron (TRUTH OR DARE). Produced by Mark Smith (IN THE TALL GRASS) and Nicholas Bechard (HOLIDAYS) and Canadian genre film luminaries Steve Hoban (GINGER SNAPS) and Vincenzo Natali (CUBE). World Premiere
Nearly 25 years after the release of TROMEO AND JULIET, Lloyd Kaufman and the Troma Team are going “back to the Bard” with an utterly insane interpretation of Shakespeare’s The Tempest, set against America’s opioid crisis. Kaufman celebrates Troma’s 45th – and his 50th–year of making movies by taking on Big Pharma, addiction, and intolerance of social media with all the sex, mutants, musical numbers, and violence that Shakespeare always wanted but never had. #SHAKESPEARESSHITSTORM marks the most ambitious project in Troma’s 45-year history, popping with Kaufman’s uniquely anarchistic style at a time when it couldn’t possibly be more needed! World Premiere